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War for the Planet of the Apes is a 2017 American science fiction film[5] directed by Matt Reeves from a screenplay by Reeves and Mark Bomback, and produced by Peter Chernin, Dylan Clark, Rick Jaffa and Amanda Silver. It is the sequel to Dawn of the Planet of the Apes (2014) and the third installment in the Planet of the Apes reboot franchise.[6] It stars Andy Serkis as Caesar, alongside Woody Harrelson and Steve Zahn. In the film, conflict between apes and humans has escalated into full war, and Caesar sets out to avenge those he has lost.
Development for War for the Planet of the Apes began in January 2014, after 20th Century Fox viewed Reeves' cut of its predecessor; his return was soon confirmed, along with Bomback's. A conditional 2016 release date was announced in May 2015, which led to a closer and faster pre-production relationship between writer and director. The film shares similarities to Battle for the Planet of the Apes (1973), with emphasis on the impact of psychosocial development and interaction of apes and humans. Casting began in August 2015 and finished that October, with principal photography commencing soon thereafter and concluding in March 2016, with filming locations including Lower Mainland and the Kananaskis Range.
Upon discovering an underground tunnel leading out of the facility, Maurice, Bad Ape, and Nova coordinate with Rocket and Caesar to rescue the apes, but they get caught in the army's attack on Alpha-Omega. Caesar sneaks into the colonel's quarters, intending to kill him, only to find he had been infected by Nova's doll. Caesar spares the colonel, who commits suicide. While escaping, Caesar attempts to destroy a fuel tank to take out the militia from behind but is shot by Preacher, one of the soldiers he set free. Seeing this, Red has a change of heart and kills Preacher before he is himself killed. Caesar detonates the tank, triggering an avalanche that kills the militia and the army while the apes and Nova climb nearby trees to safety.
In August 2015, Deadline reported that Gabriel Chavarria had been cast as one of the humans in the film.[31] In September 2015, The Hollywood Reporter announced that Woody Harrelson had been cast as the film's antagonist, and that Chavarria's role was supporting.[13] In October 2015, TheWrap reported that Steve Zahn was cast as a new ape in the film.[15] It was also announced that actress Amiah Miller was cast as one of the film's humans, with Judy Greer and Karin Konoval reprising their roles as Cornelia and Maurice,[12][21] while Aleks Paunovic and Sara Canning were cast as new apes.[20][19]
At New York Comic-Con 2016, Reeves explained that he and Bomback were influenced by many films before writing. He said, \"One of the first things that Mark and I did because we had just finished Dawn was that we decided to watch a million movies. We decided to do what people fantasize what Hollywood screenwriters get to do but no one actually does. We got Fox to give us a theater and we watched movie after movie. We watched every Planet of the Apes movie, war movies, westerns, Empire Strikes Back... We just thought, 'We have to pretend we have all the time in the world,' even though we had limited time. We got really inspired.\"[41] According to Reeves, the treacherous apes being nicknamed \"donkeys\" is both a reference to the video game character Donkey Kong and the fact that they are used as \"pack mules\".[42]
Planet of the Apes is an American science fiction media franchise consisting of films, books, television series, comics, and other media about a world in which humans and intelligent apes clash for control. The franchise is based on French author Pierre Boulle's 1963 novel La Planète des singes, translated into English as Planet of the Apes or Monkey Planet. Its 1968 film adaptation, Planet of the Apes, was a critical and commercial hit, initiating a series of sequels, tie-ins, and derivative works. Arthur P. Jacobs produced the first five Apes films through APJAC Productions for distributor 20th Century Fox; following his death in 1973, Fox controlled the franchise.
The novel is a satire that follows French journalist Ulysse Mérou, who participates in a voyage to a distant planet where speechless, animalistic humans are hunted and enslaved by an advanced society of apes. The ape species are sorted into classes: the gorillas are police officers, the chimpanzees are scientists, and the orangutans are politicians. Eventually, Mérou discovers that humans once dominated the planet until their complacency allowed the more industrious apes to overthrow them. The story's central message is that human intelligence is not a fixed quality and could atrophy if taken for granted.[1][2] Boulle considered the novel one of his minor works, though it proved to be a bestseller. British author Xan Fielding translated it into English; it was published in the United Kingdom as Monkey Planet and in the United States as Planet of the Apes.[3]
After optioning the novel's film rights, Jacobs spent over three years trying to convince filmmakers to take on the project. He engaged a succession of artists to create test sketches and hired veteran television writer Rod Serling, creator of The Twilight Zone, to pen the screenplay.[5][6] Serling's script changed elements of Boulle's novel, introducing Cold War themes; notably, he devised a new twist ending that revealed the planet to be a future Earth where humans had destroyed themselves through nuclear warfare.[7] Production costs were estimated at over $10 million, a risk no studio in either Hollywood or Europe would assume. Jacobs and associate producer Mort Abrahams persevered and eventually persuaded Charlton Heston to star; Heston in turn recommended director Franklin J. Schaffner. The team recorded a brief screen test featuring Heston, which ultimately convinced 20th Century Fox the film could succeed.[5]
Heston played 20th-century American astronaut George Taylor, who travels to a strange planet where intelligent apes dominate mute, primitive humans. Kim Hunter and Roddy McDowall played the sympathetic chimpanzees Zira and Cornelius, and Linda Harrison portrayed Taylor's love interest, Nova. Maurice Evans played the villain, orangutan Minister of Science Dr. Zaius.[14] The finale, in which Taylor comes upon a ruined Statue of Liberty and realizes he has been on Earth all along, became the series's defining scene and one of the most iconic images in 1960s film.[15] Planet of the Apes was released on February 8, 1968, and was a smash success with both critics and audiences. It was one of the year's 10 biggest money-makers in North America, taking in an estimated $22 million (nearly four times its budget) and earned rave reviews.[16][17] John Chambers received an honorary Oscar at the 41st Academy Awards for his make-up effects, the first ever given to a make-up artist.[13] Jerry Goldsmith's score and Morton Haack's costume design also earned Oscar nominations.[18] Fox approached Jacobs and Abrahams about filming a sequel. Though they had not made the film with sequels in mind, its success led them to consider the prospect.[19]
The story follows Franciscus's character, an astronaut who, while searching for Taylor, inadvertently follows him into the future. After encountering the apes from the first film, Brent finds Taylor imprisoned by a colony of subterranean human mutants who worship an ancient nuclear bomb. Kim Hunter, Maurice Evans and Linda Harrison returned as Zira, Zaius and Nova.[27] David Watson replaced Roddy McDowall as Cornelius, as McDowall was unavailable due to a scheduling conflict.[28] James Gregory played gorilla General Ursus and Paul Richards played mutant leader Méndez. The film opened on May 26, 1970.[27] Unlike its predecessor, Beneath was poorly reviewed; critics typically regard it as the worst of the Apes sequels other than the last one, Battle for the Planet of the Apes.[29] Nonetheless, it was a major box office hit, nearing the original's numbers. Despite a conclusion depicting the planet's nuclear destruction, Fox requested another sequel, creating a series.[30][31]
To work around the budget, as well as Beneath's seemingly definitive ending, the film took the series in a new direction by transporting Zira (Kim Hunter) and Cornelius (Roddy McDowall, returning to the role after being absent from Beneath) back in time to the contemporary United States, reducing the need for expensive sets and ape makeup effects.[26] In the film, Zira and Cornelius are initially accepted by American society, but the humans' fears that their child will bring about the domination of the human race by evolved apes leads to conflict. Jacobs' wife, Natalie Trundy, who appeared as a mutant in Beneath and would play the ape Lisa in the next two sequels, was cast as Dr. Stephanie Branton.[33] Bradford Dillman played Dr. Lewis Dixon, Ricardo Montalbán played Armando and Eric Braeden portrayed the villain, the president's science advisor Otto Hasslein.[34]
Based on the strong positive response to Escape, Fox ordered Conquest of the Planet of the Apes, though it provided a comparatively low budget of $1.7 million.[38] Paul Dehn returned as the scriptwriter, and producer Jacobs hired J. Lee Thompson to direct. Thompson had worked with Jacobs on two earlier films as well as during the initial stages of Planet, but scheduling conflicts had made him unavailable during its long development process.[39] For Conquest, Thompson and Dehn focused heavily on the racial conflict theme, an ancillary concern in the early films that became a central focus in Escape.[40] In particular, Dehn associated the apes with African-Americans and modeled the plot after the 1966 Watts riots and other episodes from the Civil Rights Movement.[39] Roddy McDowall signed on to play Caesar, the son of his previous character Cornelius.[41] Ricardo Montalban returned as Armando, while Don Murray played Governor Breck, Severn Darden played Kolp and Hari Rhodes played MacDonald.[42] 153554b96e
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